Showing posts with label Stephen Thompson. Show all posts
Showing posts with label Stephen Thompson. Show all posts

Friday, 1 November 2013

Re-Watching 'The Reichenbach Fall'

Yes, there may be better days to re-watch an episode like that. 

Anyway. Here are some things which came to my mind while watching Thompson's masterpiece. 
  • You know you're a Sherlockian when you know that it wasn't 18 months since John's last appointment. Well, at least not in *real* time. The BBC was kind and did not make us waiting 18 months. Not quite.
  • Come on, there are TWO people all these people should be thanking for. Sherlock for solving the case, and John for keeping people from killing his rather annoying friend. 
  • Just in case you didn't know, that thing with the gum, the diamond and the fire-extinguisher doesn't work in real life. Sadly, up to my  knowledge they haven't featured this in Mythbusters yet. Feel free, to correct me if I'm wrong; not about the not working, but about the Mythbusters bit. Does anyone feel like giving them a call?
  • When the little girl starts screaming at Sherlock... It get's me. Every time.
  • How can Moriarty be sure that Sherlock won't share the cab with John this time?
  • Sherlock uses a Mac? Thompson, why are you doing this to me? It muse be Sherlock's as in season 1 John's laptop used IE to open a page. This couldn't have been possibly any worse.
  • Watching John's struggle in Kitty's flat when Moriarty makes him listening to his part of the fairytale is so painful.That moment John cannot help himself but to consider the odds. At the same time he hates himself for doubting his friend. That's why he is so upset. He hates that this man makes him doubt Sherlock's loyalty for a splitsecond. By the time he flickers through Kitty's scraps of *evidence* he has made up his mind of what's going on. And now he is only afraid that this time Sherlock may not escape this web Moriarty has created for him. Because he, John Watson, has no idea what Sherlock could do.
  • The fact that after the big showdown at Kitty's flat Sherlock decides to leave John on his own without giving a convincing explanation shows how much he trusts him.
  • The only thing Sherlock does out of character in 'The Reichenbach Fall' is him asking Molly for help. Taking Moffat's level of trolling into account and the fact that it's so obvious, it may not be wrong to assume that that is what he referred to as the clue to how Sherlock survived the fall. Oh, and it being so obvious is the reason why everyone is 'missing' it. We are rather speculating about rubber balls (possible) and Rhododendron Ponticum (wrong, come on, just look at the other side effects) than accepting the obvious: it was Molly and apart from that we don't know.
  • I'm sorry, but am I the only one bothered by Sherlock and Moriarty wearing their winter coats while the broad-leafed trees are standing beautifully green in the background? Not to mention the sun beaming from the sky? Hold on is this a clue?
  • And we present the only correct way to respond to someone saying 'you're insane': 'You're just getting that now?' Awwww, Moriarty. I'm going to miss you. 
  • After reading about Sherlock's suicide Mycroft takes the same thinking position as his brother used to do... they are brother's after all. And some part of him knows it's a fake.
  • Oh_my_dear1#: John's 'I'm actually not that angry' when Mrs Hudson is going on and on about Sherlock's bad habits, which he is all probably missing now really badly, made me smile.

Friday, 21 June 2013

The Final Problem - How Did Sherlock Fake His Death?

There's just one more thing, one more thing, one more miracle, Sherlock, for me.
Don't. Be.
Dead.
Going by the evidence of Doyle's original story, the final seconds of Sherlock's last episode and that we know season 3 is going to air some when within this millennia starring Benedict Cumberbatch, you don't need to be Sherlock Holmes to deduct that he must have faked his really realistic looking death in "The Reichenbach Fall". So, the more advanced question is how he did do it.

How does one survive jumping from the top of a building? The answer is, you don't. But assuming that it was possible, it might be logical to say that Molly helped him with it. After all, we see him seeking her help. And when you're Sherlock Holmes, that's not something you'd usually do. And being familiar with Moffat's trolling capabilities that's what he may have been pointing at when saying the clue is all there... However, the episode offers us more than this.

First of all,  let's not forget that Sherlock is the one inviting Moriarty to join him on the rooftop. He's the one setting the when and where. Therefore, it's just logical to assume that he did not show up there without making some preparations.

The night before jumping Sherlock is constantly playing with a rubber ball. And given the fact that John only checks Sherlock's wrist and not his neck for pulse, there is the possibility that he used it to create the illusion that his heart stopped beating. (Of course he's doing it right after jumping off a building, which makes this [if this was real] even more remarkable).

But there is even more. We can assume that Sherlock is telling John Moriarty's lie because he does not want John to suffer. He hopes that by implying how much he betrayed him John will terminate their friendship or at least, he will take things more easily. The last time they see each other he makes John mad at him by implying that he does not care about Mrs Hudson having a possibly life-threatening incident, something he has obviously came up with for this very purpose. Sherlock does not gain anything by this, in fact it hurts his own feelings because John's opinion and his friendship are important to him. Sherlock shows when he has to choose between his reputation and John, that John's the winner. Putting the sentimental aspect of this aside, and focusing on the fact that Sherlock is obviously not wanting to hurt him, he nevertheless asks him a rather inappropriate thing to do: to watch him jump. He wants John to keep his eyes on him, while he's falling.

 There may be several reasons for this request, however, the most rational one is that he does not want John to notice what is happening around him. But before going into further detail, let's focus on the location of Sherlock's 'suicide'.

The  hospital from John's point of view
Looking at the two first pictures on the left we learn the building off which Sherlock jumps has 2 floors.

The red-brick building
Just in case you are wondering if that picture shows the right building, it does. The red-brick base is a second building standing between the hospital and John, from where he watches Sherlock jump This becomes more obvious when we take a look at the situation form Sherlock's point of view
And John from Sherlock's point of view.
(picture 3 on the left).

This fact is interesting because we know that the first thing Sherlock tells John on the phone is precise directions where to stand. And Sherlock wants him to stand behind the red brick building which doesn't allow him to see Sherlock hitting the ground. To get to Sherlock he has to go round it and that's when the cyclist runs into him. This means, that John is not really able to see how Sherlock hits the ground. The brick building is simply blocking his view.

Having settled this point there is also the fact that Sherlock's 'fatal' injuries do not match the way he hits the ground.

When falling we know that Sherlock does not flip. The building has only 2 floors and we see both of them in this picture. It is obvious that it will be his feet which will touch the ground first. Not his head, or torso.

Nevertheless, when John finally sees his friend, he has a head injury. How on earth is it possible to get a head injury when falling like that? It simply does not match, i.e. the head injury is not real.

Sherlock's and the truck's position is wrong.
Taking only the rational aspect of this into account he may have got several other injuries, but he certainly does not damage his head, not like that.

The last thing which may, or may not, require an answer is that in the end Sherlock seems to have rotated 9o°C  between falling and hitting the ground. Knowing that he lands 'on his feet', more or less, there is the possibility that when hitting the ground his weight isn't shifted equally and he falls over. However, there should be noted that even if he falls over his feet have already absorbed most of the impact, i.e. when his head finally touches the ground the result is certainly not such a sever looking injury.

Unfortunately, the only thing which cannot be explained away is the distance between the rooftop and the pavement. Because no matter what, Sherlock has to jump. He has to make the killers believe that he takes his life. Sherlock certainly figures out in advance what Moriarty is up to, the whole conversation on the rooftop is mostly a show. This means that Sherlock could have taken preparations to guarantee himself a somewhat softer landing. But he can't risk doing something obvious*. Maybe the fact that when entering the rooftop he's keeping his hands behind his back has something to do with this. And when standing the first time on the edge he asks Moriarty to give him a moment. Does he really need it? Is it part of the show? Or does he use it to do something else?  Besides, I don't think that Sherlock simply needs Molly to give him a rubber ball and to fake an autopsy. She helped him, somehow. And finding out how she helped him performing his magic trick is the reason why I'm looking forward to the next episode. I know Sherlock Holmes wouldn't agree with this, but I think being able to deduct the whole story would leave us with just too many spoilers.

__
*Yes, there is that truck packed with some soft-looking washing bags, as we can easily see in the last picture... but wouldn't that be too obvious? Besides, if you're comparing it with this picture you'll notice that the truck is standing wrongly. If it had been standing where Sherlock landed, to get into that position afterwards, the driver would have had to backup. Something he certainly did not, given the fact that it would have been much easier not to back up and to drive away.

Sunday, 28 April 2013

A Mad Man's Mad Box

Now that's what I call an easy escape. Just re-write history, make the things which kept people's hearts racing never happen and allow a big friendly button to save the day. The worst thing is that I wouldn't have minded if this had been the plot of any other episode of this season, after all, this is pretty much the basic idea of Moffat's finales, only that this time it was done in a really un-crafty way. But this was "The Journey to the Centre of the TARDIS" (or "Journey"  for the sweet shortness of it). Which was maybe the  most anticipated episode of this season because it is one of those few times that we get to see the inside of the TARDIS. It's almost as if you'd have an episode featuring the Doctor's diary. And as in my humble opinion he isn't keeping one (or not ATM anyway), the TARDIS' interior comes pretty close to a diary's function. She's the one and only companion who manages to stick around. Which means if there is a place in the universe which can tell us something about the Doctor's past then it's inside that magical blue box. Therefore, it's only natural that the title of this week's episode got Whovians exited.

So just imagine the disappointment when we find out that the inside of the most iconic thing of this series seems to exist mostly of corridors. Or that's what Thompson decided to show us anyway. I get the idea. If you have many rooms you need many corridors connecting them. But the sheer number of corridors is simply ridiculous. Besides, when you get the chance to write a story set within the mighty walls of the TARDIS there are a number of items and rooms (from the classic series) which could have had a re-appearance on screen.

And this ties in with the second point which could have used improving. The rooms. Sure, we got to see a few glimpses of the Doctor's past (the cot, Amy's model of the TARDIS, and maybe other stuff which will be the only reason for fans to re-watch this episode a few times). But most of us were expecting more than seeing the swimming pool, the TARDIS architectural reconfiguration system and the famous library, which is giant but does not feature the aforementioned swimming pool... come on, how difficult would it have been to change that via CGI? You really could have given us that small pleasure. This way the most interesting part of the library is that the Encyclopedia Gallifreyica is kept in bottles. Whispering bottles. I love the idea. BTW, shouldn't the label translate rather to Encyclopaedia Galilifreyica? But given the fact that the TARDIS just crashlanded it's not difficult to accept that its translation mechanism appears to be somewhat faulty.


Even though I know that the TARDIS has changed its interior twice since the series' revival, I still imagined that some parts of it stayed the same and were still in there, like  the really impressing staircase-y bit  which we got a glimpse at "The Christmas Invasion". Somehow back then the TARDIS looked warm and more alive, something which got more and more CGI-ed away during the last seasons. Being familiar with Moffat's soft spot for fairy-tale-y motives things could have been much more impressive and less mechanic. After all, the TARDIS is not a machine, something which wasn't *really*pointed out this time.

And then there is the pointless and plotholes-ridden plot of "Journey", about which I do not really have the patience to complain. Still, just to mention a few things: after the TARDIS ends up in that salvage space-ship why is the Doctor outside the blue box, while Clara is still inside? And what are the odds of the TARDIS being attacked the very second the Doctor puts the shields down? The only thing which gets explained is those creepy, zombie-like creatures.And they make sense.

Of course, there were a few moments which managed to live up to expectations. The most touching TARDIS-Doctor moment was when he and Clara enter the heart of the TARDIS just to see her engine/heart being torn apart and frozen in time.  His "she's just always been there for me, taken care of me. And now it's my turn and I don't know what to do" was pretty touching. Additionally, "Journey" was the first episode in which the Doctor admits to have secrets and that it's important to him to keep them. Giving the nature of the series, this is only logical, but I can't remember having seen this issue addressed on screen this obviously. Plus, we learn that the Doctor does have an actual name. And it's not the Doctor. Otherwise, Clara  wouldn't have brought it up like this. Although, I think it's strange that the Doctor keeps a book about the history of the Time War ready to hand in the Library which contains his real name. And this brings me to the only good point of the wibbely-wobbely-timey-wimey storyline, namely, that rewriting these event made Clara forgetting about everything, including the Doctor's name.

So all in all, this could have been worse, but at the same time it could have been so much better... Let's hope that Gaiman's Cyberman-two-parter will manage to save this season from becoming the worst of 'New-Who'. Because that's where things are heading ATM.